{"id":6529,"date":"2019-04-02T05:08:59","date_gmt":"2019-04-02T05:08:59","guid":{"rendered":"http:\/\/noti-america.com\/site\/us-fl\/2019\/04\/02\/si-la-mar-se-seca-por-leila-tomaselli-bitacora-30-dispepsias-paralelas\/"},"modified":"2019-04-02T05:09:34","modified_gmt":"2019-04-02T05:09:34","slug":"si-la-mar-se-seca-por-leila-tomaselli-bitacora-30-dispepsias-paralelas","status":"publish","type":"post","link":"https:\/\/noti-america.com\/site\/florida\/2019\/04\/02\/si-la-mar-se-seca-por-leila-tomaselli-bitacora-30-dispepsias-paralelas\/","title":{"rendered":"Si la mar se seca, por Leila Tomaselli. Bitacora 30 – Dispepsias Paralelas"},"content":{"rendered":"

Si la mar se seca<\/strong><\/h1>\n

Extracto<\/strong><\/h2>\n

Bit\u00e1cora 30<\/h3>\n

Dispepsias Paralelas<\/strong><\/h2>\n

\u00a0<\/strong><\/h2>\n

Los humanos no estamos dise\u00f1ados ni para el triunfo ni para la derrota. Tampoco nos consuela la idea de una vida tranquila y discreta, sin euforias ni tragedias.<\/em><\/p>\n

Sergio del Molino<\/em><\/p>\n

\u00a0<\/i><\/p>\n

 <\/p>\n

\"\"<\/p>\n

Ni lo uno ni lo otro, ni todo lo contrario.<\/p>\n

Pero que no nos falte la emoci\u00f3n. \u00bfQui\u00e9n podr\u00eda vivir una vida sin emoci\u00f3n?<\/p>\n

Sin ella la vida no ocurrir\u00eda.<\/p>\n

No asombra que, sea el contenido de los relatos m\u00ednimo o extenso, de eterna espera o de secuestros, de naufragios o incendios, solo son bienvenidos aquellos en los que salta de las l\u00edneas la emoci\u00f3n de quien ah\u00ed sangra, o llora, las letras que vienen del lugar donde se fraguan.<\/p>\n

Tal vez, de faltar por momentos ese aletear, lo \u00fanico que podr\u00eda compar\u00e1rsele ser\u00eda la iron\u00eda, la tragi-comicidad o lo absurdo, argamasa de nuestra cultura.<\/p>\n

He de confesar, a coraz\u00f3n quitado, que en mi mesa de trabajo fermenta la emotividad de algunas historias que guardo con mucho esmero para no estorbar su crecimiento y su futuro desarrollo.<\/p>\n

Algunas no saben estarse quietas y asoman por aqu\u00ed en alg\u00fan momento de desatenci\u00f3n.<\/p>\n

 <\/p>\n

\"\"Los comensales com\u00edan y beb\u00edan las alegr\u00edas y las l\u00e1grimas que Tita hab\u00eda re\u00eddo y llorado al preparar turrones, faisanes, codornices en p\u00e9talos de rosa. Estallaban copas, se prend\u00edan en fuego pasteles, pasiones se exced\u00edan, arcadas se desaguaban. Y es que Tita hab\u00eda sido literalmente empujada a este mundo por un torrente impresionante de l\u00e1grimas que se desbordaron sobre la mesa y el piso de la cocina.<\/em><\/p>\n

Su inusitado nacimiento determin\u00f3 el amor por los fogones y por las l\u00e1grimas que ah\u00ed se derraman por culpa de la cebolla. La verdad es que con la cebolla uno sabe cu\u00e1ndo comienza a lagrimear, pero no cuando termina por que, al tiempo, el lagrimeo se junta con l\u00e1grimas que esperaron largamente guardadas en lugares donde el alma se atasca la cebolla propicia para salir en desbandada.<\/p>\n

Y no sabe uno c\u00f3mo parar.<\/p>\n

\"\"A la \u00fanica a quien los platillos de Tita procuraban retorcijones y nauseas, fuera el que fuera el estado de \u00e1nimo con el que se preparaban, era su hermana Rosaura.<\/p>\n

Ser\u00eda porque se hab\u00eda casado con el novio de Tita. Y eso no se le hace a un amor de dos.<\/p>\n

Rosaura muere entre terribles vapores irrespirables debidos a una dispepsia p\u00fatrida <\/em>(adjetivo que no tiene definici\u00f3n elegante), un castigo acorde a su luciferina alevos\u00eda.<\/p>\n

Con paralelismo asombroso, la dispepsia p\u00fatrida<\/em> (que, con los \u00faltimos atracones literarios, no recuerdo cual autor ha hecho resonar en mis fibras nerviosas) tambi\u00e9n atac\u00f3 a mis dos t\u00edas abuelas.<\/p>\n

 <\/p>\n

De los 20 hermanos y hermanas de mi abuela (ay\u2026), dos de ellas, \u00c1gata y Noem\u00ed, no hab\u00edan querido estudiar ni casarse. Porque le tem\u00edan al amor, porque no quer\u00edan separarse, porque implicar\u00eda un gran esfuerzo, o por las tres razones juntas. Tampoco hab\u00edan dado pruebas de un esp\u00edritu emprendedor que les permitiera valerse por s\u00ed mismas. Hab\u00eda decidido entonces el progenitor juntar las dotes que les pertenec\u00edan para montarles una pasteler\u00eda, que debi\u00f3 parecerle la l\u00f3gica desembocadura a las naturales inclinaciones de sus hijas.<\/p>\n

A las perdidas, no morir\u00edan de hambre. Les asign\u00f3 adem\u00e1s una suma extra que les alcanzar\u00eda para vivir con decencia y asegurarse la materia prima, sin tener que contar con las entradas de la actividad (un decir).<\/p>\n

Las imagino ech\u00e1ndose la una a la otra los cuentos de amores y desamores inexistentes mientras amasan pasteles y rosquillas (qui\u00e9n sabe si morcillas y chistorras entraban de contrabando para diversificar su alimentaci\u00f3n) y comer y beber con sonrisas o con l\u00e1grimas, seg\u00fan el final. O con risitas alborotadas, por el encierro voluntario al que se hab\u00edan sometido, digo.<\/p>\n

\"\"Cuando lleg\u00f3 a su fin el capital asignado, las t\u00edas-abuelas se esforzaron mucho por hacer de la pasteler\u00eda un negocio provechoso, pero para ese momento la dimensi\u00f3n de sus humanidades era inversamente proporcional al tama\u00f1o de sus cerebros, los movimientos lentos y la mente lerda, que el az\u00facar, se sabe, no ayuda en nada a la funci\u00f3n intelectual. En pocos meses las dos hermanas, n\u00e1ufragas en su propia tienda, trancaron las contraventanas, aseguraron las persianas, corrieron las cortinas, se empacharon de merengue, pan de Espa\u00f1a, rosquillas, mazap\u00e1n y canelas.<\/p>\n

Un atasco en una tuber\u00eda revel\u00f3 el triste final. Caminantes nocturnos sorprendieron el agua brotar por las rendijas de las persianas junto con colorantes, velitas aplastadas, chocolate, nata. Y vaporones mef\u00edticos.<\/p>\n

Solo les falt\u00f3 el incendio de pasiones para emular a Tita y Rosaura. Y un amor por el que morir.<\/p>\n

(Ref. Como agua para chocolate\/Laura Esquivel.)<\/em><\/p>\n

 <\/p>\n

Seguir leyendo <\/em>http:\/\/leilatomaselli.com\/<\/a><\/p>\n

leila.tomaselli@gmail.com<\/a><\/p>\n

https:\/\/www.facebook.com\/silamarseseca\/<\/a><\/h3>\n","protected":false},"excerpt":{"rendered":"

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